Images of Behind-the-Scenes Cameos

I'm a rebel and I'm tagging myself for the latest meme making the blogosphere rounds - the one of a collection of images from films that share a certain theme. My topic is perhaps less intellectual but it's time for some fun on TheGirl's blog. I'm doing Images of Behind-the-Scenes Cameos. That is, writers and directors and whatnot doing cameos in their movies, or in other people's movies. Some are good, some are bad, some are just funny, some if you blink you'll miss 'em.

Sorry, I couldn't find screen grabs for all of them.



1) Alfred Hitchcock in Rope. As the whole movie takes place in one apartment, playing "Where's Hitch?" can be hard in this film. Just before the film starts, though, there is a shot of the street and Hitch is one of the pedestrians. Another one I didn't know of is the pink neon outline drawing of him in the background. Clever.

2) Stephen King in Rose Red. SK has made numerous cameos in his movies, of course, but I laughed out loud when he appeared as a dorky pizza delivery guy in Rose Red. It was probably the best thing about that movie.

3) Takashi Miike in Hostel. Eli Roth's nod to one of his favorite directors (and mine), Takashi Miike makes a rather creepy appearance in Hostel. "Be careful. You could spend all your money in there."

4) Linda Blair in Scream. Random cameo that doesn't really make sense, except that she's a big horror name. Most people don't know it's her.

5) Wes Craven in Scream. Much funnier cameo. Wes plays the janitor, "Fred," wearing a red and green striped sweater, and ugly brown hat. Hm. Wonder what that's a reference to...

6) David Cronenberg in Jason X. Who doesn't love a little wild-haired Dave Cronenberg? Great cameo from the opening scenes of Jason X.

7) Edgar Wright and Simon Pegg in Land of the Dead. There's a great extra on the Land of the Dead DVD about Edgar Wright and Simon Pegg's visit to the set to do their cameos as zombies in the film. George Romero was apparently a big fan of Shaun of the Dead, and how could you not be?

8) Peter Jackson in Hot Fuzz. On the flip side, Peter Jackson had a very, very, very, very small cameo in Edgar Wright and Simon Pegg's Hot Fuzz as the Santa Claus who stabs Simon's hand. 

9) Sam Raimi and Rob Tapert in The Evil Dead. I'm going to have a few of Sam Raimi-Ted Raimi-Bruce Campbell cameos because they're so great. Sam and Rob (the producer) played the two guys standing on the side of the road at the beginning, as Bruce Campbell says in the commentary. Sorry, no picture.

10) Bruce Campbell in Spider-Man 2. Okay, I know that Spider-Man 2 isn't a horror movie, but I loved Bruce Campbell as the "Snooty Usher" in this scene. Runner-up best Bruce Campbell cameo was at the end of Darkman.

11) Ted Raimi in The Evil Dead and Evil Dead 2. Sam's little bro Ted gets his share of cameos, as well. In the first Evil Dead, Ted plays various arms and legs and things for insert shots, and in Evil Dead 2 he plays the Henrietta monster in the basement.

12) Greg Nicotero in From Dusk Till Dawn. Ha! Forgot about this, didn't you? Greg Nicotero, one of the three geniuses behind KNB EFX Group, has a bit part as a sexy long-haired biker at the Titty Twister in From Dusk Till Dawn. His switchblade is no match for Tom Savini's penis gun. Again, sorry, no screen grab.

13) John Waters in Seed of Chucky. John Waters is big Chucky fan. John want Chucky to kill him. John get wish.

14) Ruggero Deodata in Hostel 2. The director of the classic Cannibal Holocaust has a fitting cameo as the cannibal who is eating Viktor Krum (well, you know... the guy who played Viktor Krum in Harry Potter and the Goblet of Fire) in Hostel 2. 

15) Alfred Hitchcock in Dial M for Murder. To round out the list, another Hitch cameo, just as obscure as his cameo in Rope. Dial M for Murder also mostly takes place in one room and Hitch's cameo is him in the reunion picture that Tony Wendice shows to the potential wife-murderer, Swann. He's there in the far left corner.

Saw is NOT overrated

I'd like you to take a journey with me, if you will. We're going to go back in time, but don't worry, we won't be gone that long. We're going to 2004 specifically. Why 2004, you say? Because that is when the first Saw film came to theaters and helped define horror for the new generation.

This is the poster I have and it's AWESOME.

With a new Saw film coming out every year, people have forgotten a time before Saw, a time when this was a truly original horror film to behold. The many sequels, some good and some bad, have somewhat bastardized the series and the oversaturation in the media has led many to come to the conclusion that Saw (the original) is that most horrible word - OVERRATED.

No. It's not.

It may have just not been your cup of tea, but you cannot doubt the originality and effectiveness of the first film, as a horror film and as a sort of thriller-mystery.

I remember the time before Saw came out - I remember seeing the trailers on TV for this new horror film and getting more and more excited to see it, despite not really knowing much about it. The only indication of the plot, really, from the trailers was Cary Elwes' line, "He doesn't want us to cut through our chains, he wants us to cut through our feet." That line alone was enough to get me into the theater. The concept of the film seemed so different; you had to wonder where a story with that kind of premise could go.

Cary Elwes rules. And I think he knows it. Cocky bastard.

I remember the experience of sitting in the theatre and watching Saw. I went to see it with my friend Katie (hi, Katie) and I think we both saw ourselves as smart movie watchers. But this movie, for lack of a better phrase, had us both by the balls. We were squirming in our seats, talking to the screen, and had to pick our jaws up off the floor at the end. I distinctly remember as the screen goes black at the end, and you can still hear Adam's screams from the bathroom, Katie and I both turned to each other slowly with the exact same expression of shock on our faces. We were both prompting Monica Potter's character to kill Zep - actually saying, out loud in the theater, "Shoot him. SHOOT. HIM!" Very uncharacteristic, especially for me. And the scene where Adam is using his camera as a flashlight in his apartment? Oh, gosh, I about jumped out of my seat. Zep standing over the little girl on the bed covered in a bed sheet? Intensely creepy, and freaked me the fuck out.

The point is: I don't have physical reactions like this to movies, even horror movies, very often. Whatever it was that made Saw different, it had me. How did this movie work so well? Even looking back on it (several thousand times), I can't see what it was. Nothing can compare to that first time I saw it and that is why I still love it to this day. Horror films have to work on first impression and that is often how I judge them. My first impression of this film was better than any other horror film I had seen in a long time.

I asked Katie, the friend who saw Saw with me at the theater, if she remembered the experience. Somehow, I knew she would. I find out now that she's not a particularly big horror fan, but she wanted to see this movie, too. Here's what she had to say: "I remember being repulsed by both the film's gore and Jigsaw's sadism while simultaneously being fascinated by the whole experience's creepiness and horror. I wanted to look away, but I couldn't: The movie had me in its grip as an effective thriller."

Leigh Whannell and James Wan

As a wannabe filmmaker, I am also awed and inspired by the success of Saw. James Wan and Leigh Whannell were two first-time filmmakers from Australia. Leigh wrote the film (the story came from both of them) and James directed, with Leigh also starring in it, playing Adam. It was independent, fairly low budget, and shot in 18 days. I had no idea of any of that at my first viewing. They could have told me it was a 20 million dollar movie and I probably would have believed it.

And now that movie has turned into arguably one of the biggest horror franchises. Think about this - Saw was their first movie and they never imagined that it would evolve beyond even the first film. Yet apparently their simple yet highly entertaining and effective story had room to grow. And grow and grow and grow. They got the core of the sequel from Shawnee Smith's (Amanda) one little line in Saw - "He helped me." This gave root to the idea of Jigsaw's apprentice(s) and how he is (was) able to build and carry out all traps whilst suffering from cancer. And James and Leigh went from two nobody filmmakers to the hot topic of the horror industry.

Leigh in the jawtrap; from the scene
shot before the script was sold.

So in a way, this movie gives me hope. Leigh and James (I think it was mostly Leigh's writing, though) spent a long time working on the script - and not just the cool traps that are the center of the movies nowadays, but getting the story and the characters and those now iconic scenes right so that it would make, as Katie says, an effective thriller. And when they brought their script to America to sell it and get the money to do it right, they had people that were hella interested in it. They even shot a scene from the movie to show producers what kind of style they were going after. Smart budgeting and scheduling allowed them to get top-notch talent like Cary Elwes, Monica Potter, and Danny Glover. And now the movie is already in horror film history. It can happen, people. Those with the determination and the talent can make things happen for themselves, a concept that is pretty foreign to me right now. Still, thinking about what happened with Saw, and other films by first-time filmmakers, does give me that little glimmer of hope.

Billy, the famous Saw puppet, built
by James Wan

Is Saw perfect? Looking back on it now, with my very critical movie eye - perhaps not. Yeah, it's got plot holes (I looked up people's negative reviews of Saw and what a lot of them saw as "plot holes" were in fact not plot holes - learn the definition, dipshits) and the characters do dumb things sometimes, but that's only when you really nitpick the movie. As aforementioned, horror films have to work on a visceral level - if your guts and your body tell you that it's freaking you out, then it's GOOD. And my guts told me that Saw was one of the best damn things to happen to horror in a long time. I can't say the same for all the sequels; however, I am still amazed and how far they have taken a story that was never intended to make it past the first installment. It's unreal.

I will always be a Saw lover and supporter no matter how many sequels (hopefully, number 7 will be the last... I love Jill Tuck!) and copycats come out. It was the right film that came out at the right time and gave horror fans a dose of what they have been missing. And the blood hasn't stopped running since.