Showing posts with label We Are What We Are. Show all posts
Showing posts with label We Are What We Are. Show all posts

Sunday, March 23, 2014

Movie Review: We Are What We Are (2013)


Just three years after the original Mexican film We Are What We Are was released, we already have an American remake. I don't mean that in a haughty, OMG-all-remakes-suck way either (because they don't). I'm really just surprised that it was remade at all because as far as I can tell, the 2010 version didn't get all that much buzz in the horror world. Maybe you shouldn't believe me when I say that because I'm not really that in tune with the horror world, truth be told. Anywho, I found the original and reviewed it here. To sum up, I appreciated the movie's aesthetic but overall found it to not be as exciting as the premise promised. This 2013 remake, however, is not that at all. I guess someone else found the same potential in this gruesome tale that I did and decided to work on it.

During a terrible rainstorm in their small town, the matriarch of the quiet Parker family suddenly dies. The grief-stricken family is now forced to deal with just what that means for them as their father forces the two daughters, Iris and Rose, to continue on with the family's traditions in place of their mother. And as the flooding of the town starts to wash up things long though buried, a local doctor gets suspicious of the Parkers, and what they might have to do with several missing people in the area.

To be honest, cannibals are still boring here. The movie is still somewhat tedious, more like a drama than a horror film, and a bit of a slow burn but there are other aspects at play that make it superior to the original. The only thing I will complain about is that I was not particularly fond of the historical reason given for why the members of the family were cannibals. Even after it was explained, it still doesn't really make a whole lot of sense for really why they would have continued the "tradition" for so long, especially considering what we find out it does to the family physically. They always talk about God, but it is really Him they are worshipping or their ancestors and what they created? Still a little confused on this part.

The two things that play in the movie's favor is the acting and the story (other than the confusing part). The story is improved upon mostly because of the addition of the doctor with a personal connection to the Parkers' actions. They only partake in the cannibalism once a year on Lambs Day so while they have obviously managed to elude capture, there are a lot of open missing persons cases around them, including the daughter of Doctor Burrow, played by Michael Parks. That side plot brought a wonderful human element to the story that the original was missingAnother interesting tidbit is just how the doctor found out about the cannibalism - the mother died of some rare disease (that is actually real) that is caused by eating human flesh. The switching of the genders of the family members was also a wonderful idea because it brought up so many other issues like the roles of women in religion, and a father ruling a family with fear and the children looking for a maternal substitute.

The acting is pretty superb especially by the girls playing Iris and Rose, Ambyr Childers and Julia Garner. Both girls are able to carry the look of children with a very serious and heavy weight on their shoulders, almost as if they are war-torn. While watching the film, I was almost begging them to smile just once because that constant shell-shock face they give was really depressing me. Michael Parks was another favorite as the doctor and his scene where he confronts the father was one of the best and the most suspenseful. Bill Sage plays Frank the father, and is equally good at portraying true sorrow and inflicting fear and obedience from his children. It was also very cool to see Kelly McGillis in a smallish role here as the Parkers' neighbor who keeps a constant watchful eye on the family.

There seems to be a little more blood in this remake than I remember from the original, but still not as much as you would expect. And for the most part, I was still a little disappointed in the regard that though We Are What We Are is still a dark and disturbing story, it's not as ballsy as it could be. But then I got to the last scene. Oh my gravy, that last scene. I suddenly felt very bad for all my misgivings and was praising this movie to the highest mountain. I don't want to talk about it specifically because it would be a terrible spoiler, but trust me, it's worth waiting for. Iris and Rose are so apprehensive and fearful of their father and what he makes them do all throughout the movie, yet they never really present themselves as actually being able to stop him and all the cannibal madness. I was wrong. These chicks are fucking hardcore.

Honestly though, what I saw more than anything was a tale about family, and what a family can survive and whether or not it can stay together. There are many examples of the loss of certain family members in We Are What We Are and how it affects the rest of the family. Of course, the mother dying deeply upsets everyone, but Frank is the one seen as the most emotionally affected by it, driven to uncontrollable crying and barely being able to move sometimes. Little daughter Rose, now without a mother, is devastated at the thought of losing her older sister Iris to a boy and being left in the family alone. Burrow lost his daughter years ago yet you can see on his face that it has never been forgotten. The Parkers have a secret and a way of life that keeps them bonded, but how long will that ruse work and how quick can a family be torn apart? We Are What We Are explores all this and more.

Whether you've seen the Mexican version or not, We Are What We Are should be on your watchlist. It has masterful direction and acting, and a story that appeals to both regular film lovers and horror lovers alike. And here's an interesting tidbit - the mother is played by Kassie DePaiva, whom I now know also played Bobbie Jo in Evil Dead II. Nice!

Tuesday, December 27, 2011

Movie Review: We Are What We Are (2010)


Wow. I didn't know cannibals could be so boring. I had such high hopes for this Mexican horror-drama-thing after reading about it but it turned out to be quite slow and uninspiring, something that has all the potential in the world but somewhere makes a giant misstep.

After their patriarch dies suddenly, a poor family of cannibals try to figure out who will lead them in their rituals of kidnapping and eating people. Meanwhile, two city police officers are hot on the family's trail.

So again, yeah, We Are What We Are should have had it all. It should have been dark, gritty, and deeply disturbing with the gruesome subject matter that it promises. Instead it is way too tame and safe. The movie never takes the story by the balls and tries to go for it. It takes baby steps to the edge of the chasm instead of jumping into it, and if it it had, the movie could have been so much better.

Even the title promises more than the movie actually delivers. The family consists of the mother and father (who dies in the first scene of the movie in a mall after puking up some black stuff... ew) and three teenage children - Alfredo, Julian, and Sabina. The father is a watchmaker and fixer and is the sole provider for the family. "We Are What We Are" implies that this family has had to resort to cannibalism in a desperate attempt to survive (why the three able-bodied children can't go out and work is never explained but whatever) and also implies that they perhaps have no shame about what they do. Is any of this explored? Nope. Not a bit.

The actors are good enough in their roles and certainly could have handled darker and more outlandish material. The girl playing Sabina is best of them all, as her eyes convey so much intensity even when she's not saying anything at all. That final shot of her at the end is just fantastic and she milks the moment for all it's worth. The boy playing the eldest son, Alfredo, is also good as the one who reluctantly tries to take his father's place to the dismay of the other, more violent and capable son, Julian. This sibling rivalry takes over many of the scenes when this part wasn't really all that interesting and just became more boring as time went on.

What also brings the movie down a lot is the story of the two cops hunting the family down. They first show up when the coroner presents them with a human finger found in the dead father's stomach (which eerily doesn't shock them or anyone else in the least) and then they spend the rest of the movie acting like the most incompetent bunch of nitwits I've ever seen. They sleep in their cars, stumble across a crime scene without calling for help, and of course, allow themselves to get killed in the most embarrassing ways - well, embarrassing for them because they're cops and they should have freaking known better.

Now comes the horror part of this horror movie - the all-important gore factor. Survey says that We Are What We Are is also fairly tame in this aspect which is another sad disappointment. These people are cannibals, so we should be treated to some awesome scenes of them butchering and eating people, yeah? Again, no, not really. There's only one butchering scene and though it is done well, there's not really much to see. The blood looks good and the scene has a very dingy, realistic feel which sets the mood wonderfully. However, I wanted more. I wanted more action and more gore and they just did not give it to me.

So though the look of We Are What We Are is decent and is well shot, edited, and acted, the viewer can't help but feel like there's something missing here. Maybe the filmmakers were going for a more dramatic, quieter tale of cannibalism and family strife but had they gone further and really shown us the disturbing and gross side of this family's story, it would have been so much more effective. I liked it to a point and it's a beautiful movie but it just wasn't as great as I expected.