Showing posts with label Spanish horror. Show all posts
Showing posts with label Spanish horror. Show all posts

Saturday, August 2, 2014

Movie Review: Omnivores (2013)

 
Though all types of murderers are disgusting and repulsive, there will probably always be an extra feeling of revulsion toward the cannibal. Filmmakers have of course dealt with this subject many times in the past, and yet not since 1999's Ravenous have I enjoyed the treatment of the subject so much. This Spanish film Omnivores is very subtle in its approach of cannibalism and makes it work for itself very well.

Food critic Marcos Vela is hired to investigate and write about certain "clandestine restaurants" that have begun popping up around Spain - restaurants with very strict rules, serving all types of delicacies out of people's homes. A fellow clandestine restaurant attendee tells Marcos of a place that supposedly serves human flesh, and once he gains exclusive access to the party, he learns the horrible truth of the place and how it is run.

The film opens with probably the most gruesome part of the whole film. A young boy, Dimas, is left alone with his sick mother in a cabin. When they have run out of food and the mother dies - the horrifying inevitability happens. Dimas grows up to be the host of the cannibal clandestine restaurant, with the help of his butcher Matarife. At the first restaurant Marcos goes to, he meets Eva, who offers to help him maneuver through this secret world and with whom he has a bit of a tryst. There is no hint of a backstory for any character other than Dimas, so the movie becomes entirely plot-driven and situational. Which is totally fine with me. But I was so curious about Matarife (though I had to do some research on what his name was because they never said it as far as I could tell) and what his story was and how he hooked up with Dimas, etc. With everyone else you can make inferences about their characters, and you'd probably be right.

For a film about cannibals, Omnivores is surprisingly not overly gory or bloody. This has bothered me before in other cannibal movies (We Are What We Are) and I have to admit that I would have liked to see some more action, but Omnivores seemed to have a different feeling to it that perhaps didn't warrant anything too gory. The tone is not exactly humorous but neither is it fully horrifying. You know that eventually all these cannibals that Marcos meets are going to get their comeuppance, and that is what the movie is about. The scenes where Matarife is preparing the victims for dinner only have two really squirmy moments - he pours some kind of burning liquid on one guy and scrapes his skin off, and then later the same guy gets a really well done jab in the neck with a knife, with some excellent blood spurtage. Those parts still can't beat the makeup work on the mother's body at the beginning, though, because that was pretty righteous.

The most confusing and somewhat frustrating part of the plot to me was the people's acceptance of Marcos into their circle at all. At the first dinner party he attends, people know that he is a writer and he actually tells him that he is going to write about these clandestine restaurants. Dimas also had to have known who he was and yet he actually shows Marcos the butcher room where the next meal is hanging from the ceiling. The flimsy explanation that Eva gives Marcos is that he has to eat the flesh so that he will technically be just as guilty as the rest of them. Ehhhhhh, maybe... but I think the police could overlook that small detail in favor of arresting the person or people who, you know, kidnapped, murdered, and butchered an untold amount of people, don't you think?

The ending is nothing short of delightful. Truth be told, I was expecting a fairly bloody mess as Marcos had to kill his way out of Dimas's home or something, but I was actually quite happy that the filmmakers chose to make the conclusion much more subtle, while still immensely satisfying. It quickly becomes obvious just which direction the conclusion is heading, and it only made me more giddy to find out I was right.

Omnivores is an interesting movie that many people will probably see as boring. To me it had the quirkiness of a Tales from the Crypt episode, where you may not be into it the rest of the episode but the climax makes up for all of it. I thought this movie was a nice, quick, new way to look at and deal with cannibalism and I enjoyed it for the moment.

Thursday, July 21, 2011

Movie Review: [REC] 2 (2009)


Oh baby, I have been waiting for this. [REC] 2 pretty much went straight from the mailbox to my DVD player and then into my horror-loving brain through my greedy eyes. [REC] is an insanely awesome Spanish horror film that I loved from the word "go" and I've been shaking in my pants ever since news of a sequel came out. Well, now I've finally seen it and gladly, [REC] 2 does not disappoint.

Taking off right from where the first film left us, [REC] 2 follows a small group of SWAT team-like leaders and a doctor from the Ministry of Health as they enter the quarantined apartment building after losing communication with those inside. Their orders are to record everything that happens and hopefully they can finally put a stop to the deadly infection that has taken over the building and the people in it.

The first doubt I had about this movie was how the filmmakers were going to justify using the real-time camera-vision thing from the first film. It made sense for that one because Angela and Pablo were already filming for a television show when they happen upon the apartment building. The SWAT guys going into the building and having to record everything for the health officials is a sort-of good excuse, but still a little iffy. Then the whole story gets turned on its head when we find out that the Ministry of Health guy leading the team is really NOT a Ministry of Health guy but a priest and what's been happening in the building is part of a religious experiment.

Ah, yes! Finally we get the truth about the infection. It was explained to a point at the end of the first film, but honestly, I still didn't get it. I was still believing there was some zombie-infection-virus thing going on and all the newspaper articles in the penthouse about demonic possession just confused me. The priest explains that the confirmation of the Portuguese girl's possession allowed the church, and one priest in particular, to discover that possession can be like a virus or infection in the host. While trying to find the antidote, using the girl herself in the experiments, the virus mutated and became contagious.

I truly thought that this little turn was quite ingenious. The idea of demonic possession as being a biological problem is a bit of a stretch, but it worked on me here. It's a different way to look at the monsters than if they were just zombies, or as the American version of [REC], Quarantine, interprets it, as people infected with rabies. There are a couple of good twists toward the end of the movie and while I usually enjoy spoiling the endings of movies, I feel like I should keep these to myself and just let you discover them on your own.

Okay, just one spoiler. And it's not really too surprising either - Angela shows up again. But I leave it at that.

Big downside to the movie was repetitiveness of the action sequences. Same thing, over and over - crazy yelling and red bloody eyes coming at our characters, teeth ready to chomp. The thing that got annoying in this movie was that different people are attacked several times and they are always able to throw them off - even if they remain at teeth distance for a long time - and walk away unscratched or unbitten, and therefore uninfected. With all the crazy kamikaze attacks by the possessed in this movie, a lot more people should have been turned or at least severely injured.

That aside, I was ecstatic to find a sequel that was just as good as, if not better than, the original. The acting was believable and real - loved the guy playing the priest. Very creepy face right there. The documentary style filmmaking was never distracting or too shaky or anything like that. As in [REC], scenes were often framed up very well to both look like a real film and like an amateur was shooting it. You could see all the important action, although at times the lighting was quite dark. But then again that sort of added to the scare factor.

[REC] 2 truly expands on the original film, answers questions from the original film, and brings in tons of new elements to make this movie almost a totally different experience.